7 Ways to Create a Sex-Positive Critique of Porn


One of the most common responses to the anti-porn critiques of pornography is that they’re sex-negative and all too often, that ends up creating a “no we’re not/yes you are” argument. And yet, whenever I read the anti-porn side of things, I’m struck by how often sex-negativity is woven into their claims, although in all fairness, that’s not always the case.

I couldn’t figure out exactly what it was that bothered me by the way that Gail Dines keeps talking about gagfactor.com, a website that focuses on men facefucking women. And then it hit me- there are two parts to it. First, Dines is trying to foment a moral panic. And second, she  simply doesn’t understand sex.

I can explain the first point better if I start with the second one. As someone who has been studying sex in all its wide and varied forms for over 20 years (my goodness, that makes me sound old!), I can attest to the fact that for any sexual act, there are people who enjoy it and people who are squicked by it. There’s a certain privilege inherent in being part of the majority- if you enjoy penis/vagina intercourse, you can be pretty confident that lots of other people share your taste. And it’s important to also remember that there are people who feel just as much disgust about your desires as you might feel about something less common. No matter what the act, some people love it and some people would never dream of doing it.

So what that means is that some people really enjoy being facefucked. I’ve spoken with plenty of people of all genders who enjoy it, whether with a partner’s penis, fingers, a dildo,  or other toys. It’s not for everyone- some people dislike fellatio, or deepthroating, or messy sex. Some people find it triggering, especially if they have experienced sexual assault. I’m hardly trying to suggest that everyone likes it. In fact, my guess is that a fairly small number of people enjoy being on the receiving end of it. I am suggesting that if someone gets turned on my it, there’s nothing wrong with that.

For the people who enjoy it, there are lots of possible reasons. It might be because they enjoy the sensation, or feeling submissive (although that’s not a requirement of the activity), the letting go, succeeding at the effort involved in learning to do it, the fact that it can get messy, some combination of the above, or something totally different. Any or all of these are perfectly fine reasons to do something, as long as both of the people doing it (or in the case of group sex, all of the people doing it), are enjoying themselves, getting what they want, and having their emotional, physical, and mental well-being cared for.

Now, I have a lot of problems with gagfactor.com and, in fact, I share some of Dines’ concerns. To put it simply, the site makes it very clear that it’s all about objectifying and humiliating the women. I wouldn’t even have a problem with that if it was apparent that the performers were acting out their fantasies and having fun. A lot of people have objectification and/or humiliation fantasies and there are perfectly safe and sane ways for folks to explore them. But it’s not clear to me from the site that this is what’s going on. Granted, I’m not willing to spend money to get a subscription and find out, so I could be misinterpreting things. But I doubt that the full scenes are significantly different from the promotional blurbs, if only because a bait-and-switch tactic rarely succeeds for long.

Having said that, where Dines shows that she doesn’t understand sex is that she doesn’t allow any room for people to enjoy facefucking, or humiliation play in ways that are, in the parlance of the BDSM community, safe, sane and consensual. The problem with sites like gagfactor.com isn’t the sexual acts they show, it’s the lack of visible consent or respect for the performers. Kink.com does a nice job of interviewing the performers afterward to show that they enjoyed the shoot, and that’s a business model that I’d like to see more sites adopt. The more a scene revolves around pushing boundaries and/or less common sexual or kink practices, the more valuable it is to show the consent and enthusiasm of the performers, in my opinion.

Also problematic is the fact that some people will model their behaviors on what they see in porn, although I think that everyone who blocks access to sex-positive, inclusive, and comprehensive sex and relationship education are the real culprits there. When we don’t see the negotiation, communication, and practice that go into exploring fantasies, how are people supposed to know that if they want to try something, there are things to talk about and figure out first? How is anyone supposed to know that some activities require practice and skill to do them safely? And how are people going to learn the difference between consensual, negotiated and bounded fantasy play and real-life humiliation and abuse? This is especially relevant for cisgender heterosexual men, given the momentum of sexism that pushes them towards disrespecting and abusing women.

But the solution isn’t to ban or restrict porn because the real source of the problem lies elsewhere. Instead, we need more and better relationship and sexuality education. We need a more nuanced language to talk about and teach about consent. We need better role models to demonstrate how to negotiate sexual relationships. If porn gets used as sex education, that shows that there’s a vacuum waiting for something to fill it. What would it be like if there were something better to do the job?

If Dines and her allies could make room for people to enjoy any sexual act without shaming them (as long as the aforementioned consent and well-being were honored), I’d be more than happy to talk with them about the challenges and problems that porn brings. And I know that some of their supporters will say that they do exactly that. But here’s where my first point comes into play- Dines uses people’s sex-negativity and disgust about sex to foment her anti-porn campaign.


One of the best ways to rally people behind a cause that has very little merit is to get them to not think about the details. And the easiest method to do that is to get them angry, scared, ashamed, or disgusted. These are all very difficult emotions and most people have very little practice at sitting with them, exploring what causes them, or articulating what it is that triggers them. In particular, disgust is an effective way to manipulate people because it’s really easy to blame the icky thing for how we feel. When someone wants to pass a law to restrict people’s actions without having to actually discuss the benefits, risks, and costs of those behaviors, disgust is an compelling tool to use. For an excellent read on the topic, check out Hiding from Humanity: Disgust, Shame, and the Law.

Gagfactor.com is an especially easy target for disgust, for reasons beyond the site’s clear focus on degradation. Messy oral sex squicks a lot of people and anyone with a sensitive gag or vomit reflex is likely to feel their gorge rise when seeing the site or hearing a description of it. The sympathetic vomit reflex can be seen as a survival-enhancing response in certain situations:

In groups of apes, group or sympathetic vomiting has been observed after one animal becomes ill after eating. Since the other animals in the tribe have likely eaten the same things, sympathetic vomiting may be used as a survival tactic. (from this site)

That means that this perfectly understandable and perhaps advantageous physiological response makes people susceptible to Dines’ moral panic techniques. If she can trigger disgust and then convince her listeners that their discomfort is because there’s something inherently wrong with porn, she gets a lot more support for her crusade. That’s a lot easier to do in a big crowd because each person will pick up on the disgust of the people around them, even if they wouldn’t have felt much of it themselves. And that makes it much easier for her to create a moral panic.

So why do I think that Dines’ strategies are sex-negative? Because she deliberately works to trigger disgust about a sexual practice in order to manipulate people into rallying to her call. Rather than opening up a dialogue about the real reasons that some porn is problematic or asking how the performers on the site feel about their experiences,  she uses tactics that depend on and deepen sexual shame in order to sway people to her point of view. And that makes them sex-negative. Facefucking is not inherently abusive, violent, or misogynistic any more than intercourse is inherently respectful, pleasurable, or egalitarian. As with any sexual act, it’s a question of whether you want to do it, how you do it, and how you feel about it during it and afterward. When Dines makes it sound otherwise, she reinforces sex-negativity. It doesn’t really matter whether she deliberately chose this strategy or happened to discover its effectiveness by accident.

So all of this has me thinking: what would a sex-positive approach to the question of porn entail? While I don’t think that this is a complete list, it’s a start. Note: these are not in any particular order. I think that each of these is just as important as the others and the fact that I have to present them in a linear fashion does not reflect on how I would prioritize them.

1) We would not judge a website’s or movie’s merits based on the sexual acts depicted. We would understand that we need to draw a distinction between a performer’s consent to and/or desire for a given act and how we feel about it.

2) We would strive to remember that our reactions, whether pleasant or unpleasant, reside within ourselves and that someone else can have a very different response. It’s the difference between saying “I enjoyed that” and “that was great.” Or “I feel disgust when I watch that” and “that’s disgusting.”

3) We would feel free to question whether the performers were well-treated, respected, and compensated for their erotic labor. We would trust them to speak about their experiences and not doubt their authenticity. And we would remember that people in any industry have stories of horrible experiences and of amazing experiences, so we would look for overall patterns, rather than highlighting a few individuals.

4) We would not hold porn to a different standard than we hold other industries to. We would remember that some of the problems within the porn industry are the result of capitalism, not sex, so we would resist blaming porn for them.

5) We would not shame anyone for their sexual desires or fantasies. Ever. We would base any assessment of their practices on whether the participants’ pleasure, health, consent, and well-being had been attended to. We would invite them to share their stories, trust what they tell us, and try to set aside our judgments and triggers.

6) We would offer people facts and research to bolster our arguments, without resorting to misinformation, lies, emotional manipulation, or moral panics. We would remember that the a collection of anecdotes does not qualify as data.

7) We would remember that porn is a vast and complex genre and we would find ways of talking about it that don’t ignore that diversity. We could do this by avoiding making sweeping statements that don’t reflect the experiences of many of the performers, producers, and viewers.

There’s nothing in this list that requires anyone to enjoy porn or ignore the challenges that it can bring. Like any other industry, porn has a lot of problems and I think it’s worth looking at them and seeking ways to address them. But until and unless Gail Dines and her allies change their tactics, I will continue to view their actions as sex-negative.

I’m sure that there are other steps we could take to develop a sex-positive critique of porn. I invite you to add your suggestions below. What did I miss when I made my list? I’d love to hear from you.

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15 comments to 7 Ways to Create a Sex-Positive Critique of Porn

  • I would add, “Not attempt to impose censorship of pornography no matter how distasteful you find the imagery. That doesn’t mean you can’t critique it. Nor does it mean that anything goes in the production of live-action porn. But if the production is fully consensual, you cannot prohibit others from viewing it.”

    (I’ll add that I think the Dworkin-MacKinnon civil law approach is still very much censorship. Many anti-porn activists support this and then try to claim that it isn’t really censorship, hence, worm their way out of owning that they support censorship.)

    Sex-positive feminism as I understand it includes opposition to censorship as a core value, expressly so when it first started out in the ’80s. That’s something I think a lot of people lose sight of today. Notably, Nussbaum the utterly disappointing section on pornography in “Hiding from Humanity”. Then again, not sure if Nussbaum would call herself a “sex-positive feminist”.

    In any event, if one develops a critique of porn along sex-positive lines, I really don’t think there would be much left to be “anti-porn” about. One might very well oppose a lot of existing practices in porn, and one might even be critical of the messages found in the majority of existing porn, but anti-porn on a fundamental level? I think that requires a certain amount of sex-negativity.

    BTW, I’m sure the anti-porn folks would be pissed at the idea of sex-negativity as both you and I have used it. Their argument would be that they’re not against sex per se, just sex that “hurts women” or is “unequal”. But that’s where the proverbial devil comes into the details, because for the most part, they have some pretty rigid ideas on what kind of sex is egalitarian and pro-woman. And I find the idea of “sex according to my standards is the only right way” to be pretty sex-negative, whether its coming from religion or from feminism.

    • So what mechanisms could be developed to ensure (to a reasonable degree) that “the production is fully consensual”? Does the industry need something beyond the “they’re all legal adults” approach?

      You’d know better than me- when people sign on to do a scene, how much is spelled out in advance? How well do performers know what they’re getting into? And how much does that vary from one company or website to another?

      • Well, this is all based on various things I’ve heard about the porn industry, so take it with a grain of salt.

        But from what I’ve heard, practices do vary from company to company. Most are above-board, but any idiot with a camera can shoot porn. For the most part, its pretty clear in advance what sexual acts will be done, and with whom, and for how much. The whole price structure of how much a performer is paid for a scene is based around this.

        Now I’ve also heard of less-savory shoots where bait-and-switch takes place. Get a performer to come out under the premise of being paid for, say, a solo masturbation scene, then drop it on her that the shoot is a double-anal. How that’s dealt with depends on the clout of the performer and her agent. An in-demand porn star with a good agent will be able to give a simple “no thanks” and demand a comp fee for having shown up. Somebody who’s a naive newcomer, perhaps with a “suitcase pimp” for an agent, or a low-level performer who’s been in the industry too long and is not in demand? They might end up giving in to something they don’t want to do.

        BTW, for a really good insiders perspective on the business and labor aspects of the San Fernando Valley porn industry, give a listen to this panel discussion from a few years back with Sharon Mitchell, Nina Hartley, and Ernest Greene:

        http://vb.ly/z07db

  • @Lynn I hadn’t seen that. Hilarious!

  • I know, right? It almost reads like something from the Onion: “It’s one thing to ask these porn “stars” to do degrading acts like have sex with animals or five guys or to be ravaged while shackled and chained. It’s quite another to ask them to be funny.”

    Huh?!?

  • [...] to see. (Some ethical porn websites already do this; Gag Factor does not.) Here’s a snip from 7 Ways to Create a Sex-Positive Critique of Porn: One of the most common responses to the anti-porn critiques of pornography is that they’re [...]

  • [...] Soft on Porn on Mother Jones, which is why it was so refreshing to read Charlie Glickman’s 7 Ways to Create a Sex-Positive Critique on Porn. As per usual, Mr. Glickman provides enlightened words on how to create a productive dialogue that [...]

  • On number 4, I agree, but I think you contradicted yourself. I also don’t like to see porn held to a different standard than other forms of entertainment. Earlier in your post, though, you talk about how important it is to show visible consent, such as what Kink.com does. (And I’m all in favor of how Kink does it, too.)

    But, there’s no other form of entertainment where it’s suggested that it’s morally/ethically desirable for an audience to see a consent process. When people are watching an action movie, which features stunts and degrees of athleticism not found in your average person, we don’t get pulled aside at the end of the movie to be reminded of the training a stuntperson goes through in order to safely be set on sire or fall off a building. We don’t see consent negotiation in really any form of entertainment, do we? I think it’s an unfair and inherently sex-negative expectation to have about sexual entertainment and sexual entertainment alone.

    What we need is not more consent interviews at the end of porn movies (though that’s great), but overall, as a culture, a better degree of media literacy and an understanding that (most) porn is not documentary footage or an instructional manual. Nor is any other form of *entertainment* an instruction manual- action movies, professional sports, or romance novels. But, changing a culture’s way of consuming media is a much more broad an issue than “Shut down gagfactor.com!”

    And, on another point, I’d add to your list the classic rallying cry of sex workers: “Nothing about us without us.” You shouldn’t talk *about* porn without talking *to* people in porn, and without labor issues being a core part of the entire discussion. You touch on that in number 3, but I think this should be the most important point on your list.

  • I see your point about not holding porn to a different standard with respect to showing consent and how that’s in some tension with my desire for more visible consent in porn. And yet, given that we (as a culture) have such abysmal practices around sexual consent, it does seem to me that there’s a value in having porn model it, at least in some circumstances. If sexual negotiation and consent were more visible in general, if we had more nuanced language around it, and if we had more useful practices with respect to consent, it probably wouldn’t be a question for me.

    The fact is, most people haven’t watched other people have sex, so porn is the only example they have of what sex looks like. With respect to your example of action movies, we have plenty of real-life examples of driving, so when we see someone in a car chase scene in a movie, we know it’s not realistic. It makes it easier to recognize the fantasy of the movie. But with sex, unless we’ve actually witnessed real-life sex, we don’t have that to help balance things out and remind us that porn sex isn’t usually “realistic.”

    Whether porn makers intend their movies to be used as role models or not, the fact is that they are. There’s an amazing opportunity that’s being lost here, although perhaps that simply my sex educator hat coming through. And in movies that are intended to be more button-pushing or edgey, I think there’s even more reason to make consent visible.

    I’m not suggesting that all porn movies should be required to show consent. I simply think that it’d be great for some of them to show it.

    And you’re absolutely right about the labor issues aspect of this. I didn’t delve into that precisely because I believe in the “nothing about us without us” perspective. I didn’t order this based on importance- I think that each of this is as important as the others. I’ll amend my post to make that more clear.

  • Ruby

    Thanks for this article, I found it very thought provoking and has helped me clarify some of my own confused thoughts on the subject.

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